Reading Cities Like Stories: How Emel Elfakir Uses Master Planning to Script Everyday Rituals
Reading Cities Like Stories: How Emel Elfakir Uses Master Planning to Script Everyday Rituals
Emel Elfakir is an Associate Master Planner at U+A with over twelve years of experience delivering large-scale master plans and mixed-use developments across the Middle East. Trained in Architecture at the University of Edinburgh and holding a Master's in Architectural Management and Design from IE Business School, she bridges design thinking with strategic, human-centric, and commercially grounded planning. Her portfolio spans prime waterfront destinations, future cities, and residential complexes across the region, where she leads multidisciplinary teams from early visioning through detailed design to align projects with the client's vision and city-wide goals.
When you walk alone through a city, what do you pay attention to that most people overlook?
View framing, which holds spaces that create memories within a city, is what I find can be overlooked. As master planners, it can be easy to get consumed by the bigger picture, so that we may forget the finer grain and daily experiences or rituals that we are designing for. What it is about a city, neighbourhood, or space that makes you want to come back is very personal and is a result of how memorable it was or the mark it left on us. Relatability to an environment stems from our backgrounds, experiences, and cultures, and this focus flourishes out of our design efforts on the micro-level of a city as much as the wider view.
If I am walking through any active public street for the first time, what I would normally pay attention to is the distinct frames of view. What various public interactions can I see when I look through an architectural space from the outside, or when I am on the inside of a building looking out onto the street? From the focused limits of a window frame, for example, or an archway – what moment did I witness and how did it resonate with me? These memorable moments form lasting senses and impressions towards a public space and its respective wider environment.
How do you imagine the daily rituals of residents before a single building is drawn on the plan?
With any given program of a residential community and its positioning within a wider master plan, the methods in which residents can move around and beyond their neighbourhoods have an impact on their daily rituals and set the standard for their quality of life. This is more evident now as city-living has become more popular, which adds pressure to traditionally established master plan frameworks of cities that are now less practical and unable to uphold today’s demands and new standards of living.
For this reason, there has been an increasing focus on future city master plans to strike a balance between vehicular and pedestrian mobility that would meet the needs and desired quality of life for future residents. In this respect, one of the key initial framework layers to design for would be the pedestrian connectivity through open spaces, walkable green corridors, and public transport links within the master plan.
How has moving between countries shaped your own sense of “home,” and does that influence the kinds of places you want to create for others?
From my experience, moving between different countries can have the effect of leaving a certain identity behind each place, with a clear distinction between which country feels like ‘home’ versus the country that feels like ‘work.’ This draws back to the master planning thought-process and how we program and design future communities and cities to enable residents to experience a separation between work and play.
When you visit a project you worked on, what kind of scene do you hope to see that reflects the key values you envisioned it to achieve?
To find that no space is neglected, and people feel comfortable and safe within the new environments designed for them, are a few of the key elements I hope to witness. Especially to see how a public space or neighbourhood is transformed from static to dynamic and uplifted from the daily activities and positive use of its own community, would be very satisfying to experience. These kinds of clues will serve as the building blocks to achieve a successful program and a strong urban-to-human relationship and functionality for the long-term.
Joining a new practice, in what way has your personal “story” as Emel, not just as a planner, shifted the kinds of rituals you now want cities to support?
Learning from people around you, from mistakes and failures as much as the successes. Our personal experiences very much reflect how the fabric of cities should be designed - which is to be flexible, adaptable, and permeable. When the rituals programmed into a city are designed to be continuously open to growth and responsiveness from lessons learned, this allows us to rethink and shape what makes different communities perform and thrive.
How do you envision contributing to U+A’s future portfolio, and what possibilities excite you most about working with the practice at this early stage of your journey together?
I am particularly looking forward to presenting our growing master planning capabilities that link the strong integration and expertise between our Urban Design, Landscape, Architecture, and Infrastructure teams to create exciting and sustainable proposals for future cities. To join a team that has the potential to become even more powerful as a unit that seamlessly blends all the contributors to a successful master plan means working with a drawing board of endless possibilities.
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